Author: Jan Tománek

Jan Tománek (1978) is a graduate of the Academy of Fine Arts in Prague. In addition to film and art work, he also wrote for game and film magazines in his youth and founded the computer magazine Level, in which he served as editor-in-chief. He is known as the director and screenwriter of the popularly successful animated films Kozí příbě, for which he won a number of international film awards and was nominated for the Czech Lion. In 2018, he published his first novel The Butterfly Scream – a conspiracy thriller from the Czech environment. The second book - Chandelier for the Pope - a raw and harsh story from the hell of the normalization camps, was published in the fall of 2019 and was followed by the dystopian novel Ark of Books in late 2021. In 2022, he prepared a book of collected blogs of several authors, Chronicle of the Covid Era. He lives with his wife on the outskirts of Prague and is the father of two children. In addition to writing books, he is involved in the civic initiative Zdravé forum. He lives with his wife on the outskirts of Prague and is the father of two children.

I haven't understood this for two years and it just keeps getting worse

 8. 3. 2022  0 Comments on Nerozumím tomu už dva roky a jen se to stupňuje

As a conspirator, misinformer and anti-vaxer who has been accused of many times, I will not engage in any speculation, because the time is really dangerously late, but I will just ask, because I somehow don't have enough brains to understand what is happening. Does our state, according to long-term contracts, still buy vaccines for 900 million per month, which it disposes of again for expensive money, because almost no one gets vaccinated anymore? Why…

Beware of treacherous windows

 15. 2. 2022  0 Comments on Pozor, co skrývají zrádná okna

You may have noticed that President Biden has a new adviser on nuclear energy - Mr./Ms./It Sam Brinton. It's not about tolerance at all - I've gone to Prague Pride many times to support everyone's freedom - but here it's not about freedom at all, but about the dangerous Overton windows and what they actually hide and what their purpose is...